Still, she leavens this nonlinear novel with sly humor, much more than in Homegoing, as the daughter of a traditional woman weighs what it means to walk in the world not quite a nonbeliever. In 54 microchapters and precise prose, Gyasi creates an ache of recognition, especially for readers knowledgeable about the wreckage of addiction.

Gifty hopes to apply her results to “the species Homo Sapiens, the most complex animal, the only animal who believed he had transcended his Kingdom, as one of my high school biology teachers used to say.” This work, Gifty insists, has zero to do with her brother’s death. She gets them addicted to Ensure and then opens their brains surgically, probing the neural pathways of recklessness, looking for clues to creating restraint. “No,” says Gifty, who turns her ontological questions on lab mice. Both times the Ghanaian matriarch has crawled mutely into bed, but this time not before asking adult Gifty if she still prays. Her formidable mother, a home health care aide, has plummeted into a second severe depression, and their family pastor has dispatched the limp woman toward Gifty via airplane from Huntsville, Alabama, “folding her up the way you would a jumpsuit.” The first episode, when Gifty was 11, arrived after an opiate overdose stole the life of 16-year-old Nana, the firstborn son and more cherished child. It unspools entirely in the voice of watchful, reticent, brilliant Gifty, 28, nearly finished with her doctorate in neuroscience at Stanford’s School of Medicine.

A scientist weighs the big questions that her private trauma bequeaths her.Īfter Homegoing (2016) swept through seven generations, Gyasi’s wise second novel pivots toward intimacy.

Yaa gyasi transcendent kingdom review